Course Name | Communication, Literature and Philosophy |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
GEAR 211 | Fall/Spring | 3 | 0 | 3 | 5 |
Prerequisites | None | |||||
Course Language | English | |||||
Course Type | Service Course | |||||
Course Level | First Cycle | |||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | ||||||
Course Coordinator | - | |||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | This module aims to introduce students to analytic thinking and philosophizing via short readings and analysis of literary texts, art works, photography and cinema. |
Learning Outcomes | The students who succeeded in this course;
|
Course Description | This course focuses on the historical trajectory of western philosophy in parallel to its relations particularly with literature and art, and generally with culture and communications. |
Related Sustainable Development Goals | |
| Core Courses | |
Major Area Courses | ||
Supportive Courses | ||
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Presentation and an overview of the course, course organization, requirements and methods of evaluation. | |
2 | Essential Questions of Philosophy: Ancient Greece | Clerk, ‘Ancient Philosophy, in Kenny, 1-53 |
3 | Introduction to Philosophy of Modern Times | ‘Descartes to Kant’, in Kenny, 107-193 |
4 | Enlightenment, Modernity and Reason | Umberto Eco, The Name of the Rose; ‘Descartes’ in Russell, 511-520, Umberto Eco, ‘The Return of the Middle Ages’ in Eco,Travels in Hyperreality, 59-86 |
5 | Modernity, Science, Progress and Dangers | Mary Shelley, Frankenstein. Descartes in Russell, 511-520 |
6 | Discussion on the Consequences of Modernization | 'Descartes to Kant' in Kenny, 107-193. |
7 | Consciousness, Identity and Freedom: Lord and Bondsman | Orhan Pamuk, The White Castle. ‘Hegel’ in Kenny 201 -206. |
8 | Discussion on Lord/Bondsman and East/West | Hegel’ in Kenny 201 -206. Hall, ‘The West and the Rest’ (Handout) |
9 | Ethics: Modern and Postmodern | Dostoevsky, Crime and Punishment. ‘Kantian Morality’, in Kenny, 190-192; ‘Nietzsche’, in Kenny 216-221 |
10 | Modernity and Social Injustice | John Steinbeck, Grapes of Wrath Movie: Germinal ‘ Marx and the Young Hegelians’ & ‘Capitalism and its Discontents’, Kenny, 304-309. Russell, Ch. XXVII. Karl Marx |
11 | Modernity, Power, Bureaucracy and Surveillance | Franz Kafka ‘The Trial’ Movie ‘Kafka’ SEP ‘Weber’; SEP ‘Foucault’ (Handouts) |
12 | Rousseau: “Natural Man” and Degeneration | Joseph Conrad, ‘Heart of Darkness’ Movie ‘Apocalypse Now’ Quinton ‘Rousseau’ in Kenny 329-332 Freud, ‘Civilization and Its Discontents’ (Handout) |
13 | Existentialism | Albert Camus, The Stranger. Existentialism,SEP |
14 | Philosophy and Psyche | Franz Kafka ‘Metamorphosis’ Yusuf Atılgan ‘Anayurt Oteli’ & Movie Modules on Freud (Handout) Kenny, .’Sigmound Freud’, pp. 343-350. |
15 | Review of the Semester | |
16 | Revision |
Course Notes/Textbooks | Robert C. Solomon and Kathleen M. Higgins, The Big Questions: A Short Introduction to Philosophy. Bertrand Russell, History of Western Philosophy, Sir Anthony Kenny, An Illustrated Brief History of Western Philosophy. Stanford Encyclopedia of Philosophy (SEP) |
Suggested Readings/Materials | Umberto Eco, The Name of the Rose Orhan Pamuk, The White Castle Dostoevsky, Crime and Punishment Franz Kafka ‘The Trial’ Joseph Conrad, ‘Heart of Darkness’ Franz Kafka ‘Metamorphosis’ Yusuf Atılgan ‘Anayurt Oteli’ Albert Camus, The Stranger John Steinbeck, Grapes of Wrath |
Semester Activities | Number | Weigthing |
Participation | 1 | 10 |
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | 1 | 30 |
Presentation / Jury | ||
Project | ||
Seminar / Workshop | ||
Oral Exam | ||
Midterm | 2 | 60 |
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade | 3 | 70 |
Weighting of End-of-Semester Activities on the Final Grade | 1 | 30 |
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 3 | 48 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | ||
Study Hours Out of Class | 15 | 5 | 75 |
Field Work | |||
Quizzes / Studio Critiques | |||
Portfolio | |||
Homework / Assignments | |||
Presentation / Jury | |||
Project | 1 | 20 | |
Seminar / Workshop | |||
Oral Exam | |||
Midterms | 2 | 10 | |
Final Exams | |||
Total | 163 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to have fundamental knowledge about narrative forms in cinema, digital and interactive media, and the foundational concepts relevant to these forms. | |||||
2 | To be able to create narratives based on creative and critical thinking skills, by using the forms and tools of expression specific to cinema and digital media arts. | |||||
3 | To be able to use the technical equipment and software required for becoming a specialist/expert in cinema and digital media. | |||||
4 | To be able to perform skills such as scriptwriting, production planning, use of the camera, sound recording, lighting and editing, at the basic level necessary for pre-production, production and post-production phases of an audio-visual work; and to perform at least one of them at an advanced level. | |||||
5 | To be able to discuss how meaning is made in cinema and digital media; how economy, politics and culture affect regimes of representation; and how processes of production, consumption, distribution and meaning-making shape narratives. | |||||
6 | To be able to perform the special technical and aesthetic skills at the basic level necessary to create digital media narratives in the fields of interactive film, video installation, experimental cinema and virtual reality. | |||||
7 | To be able to critically analyze a film or digital media artwork from technical, intellectual and artistic perspectives. | |||||
8 | To be able to participate in the production of a film or digital media artwork as a member or leader of a team, following the principles of work safety and norms of ethical behavior. | |||||
9 | To be able to stay informed about global scientific, social, economic, cultural, political, institutional and industrial developments. | |||||
10 | To be able to develop solutions to legal, scientific and professional problems surrounding the field of cinema and digital media. | |||||
11 | To be able to use a foreign language to communicate with colleagues and collect data in the field of cinema and digital media. ("European Language Portfolio Global Scale", Level B1). | |||||
12 | To be able to use a second foreign language at the medium level. | |||||
13 | To be able to connect the knowledge accumulated throughout human history to the field of expertise. |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest